[electricity crackling]
I strange warbling music ♪
III
[thunder rumbling]
[eerie chime]
[man] Electricity- always shooting electricity.
[eerie chime]
Poles on wires or is it the opposite?
[eerie chime]
Deeper I go now...
...trying to avoid the dangers ahead.
[eerie chime]
Rusted memories of another time.
- [eerie chime] - Discarded behind the doorless shed.
The man in the dark-colored glasses is a Frenchman.
Do you see him?
III
Why does the man with the gray elevated hair
constantly talk about things?
Does he have nowhere else to be?
III
[man] Next scene, scene 34,
um, is Constance telling, uh-
uh, Macklay about the prints.
That's in that same, uh- in the police department,
in the office area.
And we go to the-
Back to the holding cells here in scene 42.
Phyllis and, uh, Hastings now are talking
about their, um...
both of them having affairs.
- [indistinct chatter] - [Lynch] Morning, Pete.
- [Pete] Morning, David. - [man] I mean...
[indistinct chatter]
[Lynch] Actually, I wouldn't mind a cell like this.
- This is airy, you know? - Yeah, it is, see...
I could-l wouldn't have to... you know, hang myself.
[Lynch] Have your own sink, your own toilet, a bed.
- All you need is, um, some paints and... - Yeah!
...and the stuff and you could get to work.
[man] Uh-huh.
[Lynch] Have a seat, you guys.
I can sit in my chair, and you guys can sit there.
- [Johanna] No, you sit down. - [Lynch] No, no, no, it's okay. Sit down.
[Johanna] Do you want to sit down next because you have the, uh, computer?
[Krista] Do you think for tough lookout
that he's going to be a stunt, an extra, an actor'?
Oh, whafs this tough... what?
No, I don't think there's gonna be a tough lookout anymore.
- There's no place for a lookout. - Okay, well, quick meeting.
- Yeah. - Oh.
- There's no tough lookout. - [Johanna] Well, that was easy.
- Mm-hmm. - Tough lookoufs out.
There's just a gang and Renzo and Muddy.
And... that's it.
[Krista] 0K6)'-
He wants you to take a look at that thing.
- What? The shot? - Can I show you something, David?
Yeah.
- [Lynch] Been a pleasure. - [Krista] It has been.
- Always. - [laughter]
[woman] Take care.
♪ Eerie fiute music a'
[laughter]
[indistinct chatter]
[man humming]
[man] Let's get ready for a first team-
[Lynch] Pete, you're ready for something?
- [Pete] All right. - [Lynch] Okay, cool.
[man] No!
[Cornelia] George says they're not gonna let you post bail.
[Matthew] I'm in so much trouble.
I have to tell you something.
That night I... I had...
I had a dream
that I was there, that I was in that apartment.
- [Cornelia] But you were there. - No, I sw-
Your fingerprints are there.
L-I swear to you, it was a dream.
[Cornelia whispers] Fuck you, you fucking bastard.
I've known about this affair.
I've known about this affair all along.
Now you listen to me!
I know about you and George and maybe somebody else, too!
[Cornelia] You're going down.
Life in prison, Bill.
[whispers] Life in prison.
III
Just stay in the cage!
- [laughter] - [Cornelia] Good-bye, Bill.
[Lynch] Okay.
Wish there was, like, another half hour of dialogue.
[laughter]
I really do.
Well, I think...
It's so good that ifs just like a...
Just like... whoa!
- [Cornelia] It's just so evil. - [Lynch stammering]
- She's so wonderful. - Both of you are bad, bad.
- Um... - Bad people. [laughs]
[Matthew] But I feel like there's got to be an exit out of this somehow or...
Okay, in the very beginning...
Um, in the very beginning,
after you sit down, look at her for a while.
Look at her for a while
and see whafs in her eyes...
and then it's almost like a confession, you know,
because, like, she might be the only one to understand-
In your mind, you weren't-
absolutely were not there, but the problem is
you had this dream that you were,
and it's just this secret-ifs horrible
because you weren't there, but you had a dream.
What a coincidence.
So just start it out a little bit slower,
and then decide that you're gonna tell her that.
And then let it come apart when you-
' Okay - Okay?
- Yep. - And...
Let's try that.
[eerie tones]
WW“ Big Sky Country.
Moving further north and away from the desert.
[chiming tones, static piercing]
The black-faced Cooper finds its way on the metal chair.
[eerie warbling]
The bloody face of the bad giant splashes against the wooden floor.
[warbling tone]
No one seems to notice.
Hiding behind my magic box, I steal things.
[warbling tones]
[man] That could be anywhere.
I'll come get it in a minute.
Thank you.
[man] It's really just to frame the green.
[man] All right, everyone settle in.
We're gonna have a rehearsal in a moment here.
- [laughs] - I don't know why. Hello.
- Muddy and Renzo. - Good to see you again. Fantastic.
- "Wild at Heart" A long time ago. - Yeah. Exactly right.
- Doing that 360-degree pan all night. - Yeah.
- Renzo, I'm David. Good to see you. - Pleasure. Derek.
Nice to meet you, my friend. Thank you for having me.
- Yeah, great. - So excited.
- Good deal. - All right.
Good deal. It's great.
- And there's Ray. - Hi.
- Good to see you. - Great to see you.
- How you doing? - [both] Good.
- All right. - [woman speaks indistinctly]
[man] So let's everyone pull back.
[Carey] So I have a tube that goes all the way up to his nose area.
So it bleeds all the way out from around that area.
[Lynch] Right there. Beautiful, beautiful.
And so, I mean, I did a little bit more than we talked about
just so you can see more if you needed to.
- That's so great. - So he's on a pivot at his waist.
So either he could be on the chair or up higher...
- Uh-huh. - ...if you want to do...
this part of the punch, and then if you want to shoot it low
from the fall in the frame, we can do that as well.
And I made him heavy, so when he hits, he hits with a thud, hard.
- So it should be... - [laughing] That's great.
That's great. Yeah, he's gonna- Kyle's gonna hit him.
- Yeah. - And he's gonna go back.
- Yeah. - Sounds real good.
[Carey] Which he can definitely do.
- [Lynch] Cori? - Yeah, I'm right behind you.
[man speaking indistinctly]
- [man shushing] - Ray and the guys around Ray...
Okay, uh, Cooper's double brings Renzo back up to the middle.
Renzo can't believe whafs happening- gasping for breath, spent.
Ray tries to push past the men around him.
They restrain him and...
Soon as he slams Renzds arm down,
breaks his arm, okay...
...then he's going to slam Renzo
in the head.
And at that point, uh, Ray goes for his gun.
Okay, now stand him up and then- [stammers]
- Okay, then he gets his-his-his... - [man] He's all yours, boss.
...his manhood back and he's gonna take it-take it.
- So, um... Muddy? - Shh, shh, quiet, everyone.
Muddy, wait for Renzo to give you a nod before you say rules.
Or, you know, whatever.
And when you snap his arm, you're-you're-
When you snap his arm, you're already coming up
and picturing that hole in the wall right through-right through his head...
- Okay. - “.10 the hole in the wall.
[Kl/hi] Okay. Yeah.
So the momentum of that...
[man speaks indistinctly]
I guess most important is all the timing of what happens during the arm wrestle.
That's gonna be the... you know.
The fun part.
How many times it almost goes down to Coop-
- It's right there. Mm-hmm. - Yeah.
So...
Strength issues. Let's see.
♪ Eerie music A'
III
[man] Then we'll talk about the, uh, uh, bullet into the calf.
All right, so get everyone in your places.
- Okay, when this thing starts... - [man shushing]
- [man over radio] Quiet for rehearsals. - ...your boss, your former boss, Renzo...
- ...is down. - Action.
[Lynch] Just down.
And this guy, um, and you're- you're drawing your gun,
- and you're subduing him. - [indistinct radio chatter]
But Renzo is spurting blood,
having his nose driven into his head, okay?
So your guys are gonna back away a little bit from Renzo
and look down at him,
not paying too much attention to him-to them-
[stammers] 'Cause this is-this is something to behold.
He is dead and spurting the last little bit of blood that he's got in him-.
Okay, and Must happened.
Which way do you-do you all go?
- Here. - Down the stairs?
- Yeah. - Okay. Come over here with me.
- Let them all g0 downstairs. - Okay.
Okay, you'll stand right here.
- Okay? - Okay,
At a certain point, Cooper's gonna shoot, uh, Ray in the leg.
- He's gonna go down. - Okay.
Suddenly, Cooper's gonna see you standing here.
- Okay. - When he looks up at you...
you ask him, "Do you need any money?"
- Okay. - He'll say, "No."
When he says no,
you look at him, you nod,
and go downstairs.
. Okay- . Okay-
All right. Will do.
- [Lynch] Okay, cool, cool. - All right.
♪ Eerie music A'
III
[warbling tone]
III
No, no, no where are you going?
[scattered laughter]
Stand right here and take a look at this frame.
- Yes. - Where's Sam?
- Right behind you. - Okay, Sam, this is you.
And this is Tracey.
Remember how you were going back 'cause there was-
the, uh, creature's killing you, right?
- Mm-hmm. - So I'm gonna say, uh, snap.
- And you snap your head back. - Okay.
I'm gonna be hitting you with these blue balls, okay?
[laughter]
I'm gonna be hitting you- I'm gonna smack you in the forehead.
- Your head's gonna- - [laughter]
Your head's gonna fly back, and-
and you're gonna go back, and you're gonna be dead,
but you're gonna be moving like it's moving you, okay?
And I'm gonna put a blue ball, you know, in your face
and move you around a little bit, okay?
I'm gonna put blue balls on Sam,
and his head will go back.
And you're dead then, but you're still kind of moving.
- [woman laughs] - [Lynch] Okay.
- [Madeline] Your blue balls are ready. - My blue balls are ready.
[laughter]
[Madeline] Wow.
Yeah, it's not pleasant, but I've got blue balls.
[laughter]
[machine beeping loudly]
[man] Okay, fellas.
[beeping continues]
[man] People up here. Okay.
- [machinery scraping] - Put you here, right?
Now, uh, we're gonna slow it down.
We can do this real fast... [mutters quickly]
But we'll just slow it down so you can see the...
Each one, okay.
Right, you might want to step back just a bit.
[man] First one.
Next one.
Another one. Go ahead.
Put a squirt in there.
- [man] We got a couple of those. - [Lynch] Okay.
Two and three, I like.
[man] Those kinds of things.
[Lynch] Uh, two, three, and that rubber one.
- [man] Okay. - Dance between them.
And they'll be moving around, and then they'll die,
and then you just do a couple more after they die.
Urn... and...
and then-do you have- then thafll be it.
[woman clears throat]
[indistinct chatter]
[indistinct chatter continues[
[machinery whirring]
[man] So you didn't get your Souls tickets yet, then?
All right, this is your reversal black number.
Nice and quiet, please.
[woman speaks indistinctly]
Okay, this is where we pick it up.
So, Pete, you start moving in here.
So you drink another drink here, looking at this.
And then, Sam, after a little bit, you just lean back.
And then you catch on to that, and you lean back.
And then Sam turns to you.
Okay, they're going like that for a while.
And then Tracey/s gonna stand up.
So when-when those-
when those panties come- start coming down, Pete,
you move in on Sam's face.
- Okay? ' [Pele] Okay.
Now, and then as soon as you're in on Sam's face,
I'm gonna cue Tracey to put her panties back on.
Tracey, you'll come down on top of Sam.
Okay, then you're just kissing.
And then. Sam, you're son of looking around...
You're sort of-
You've sensed something, and then you just grab her.
Okay, now, you got to- you got to grab her a little lower.
Like, right-right in there and just really slam grab her.
Now do a real slow turn.
Okay, now can you move in closer on those eyes?
[faint screaming]
And now...
you-it's-it's-it's serious.
This thing is gonna-you know, step back,
and it, bam, hits that glass, and you scream out.
[Madeline screaming]
I want a scream scream, like scared the shit out of you.
Okay, so then, uh, it backs-it flips back on its feet.
And now it's gonna- you're looking at it,
and it's making a sound.
And now it leaps- it comes through, it does the arch,
one, two, three, it's on ya.
S haunting music S'
III
[man] Again we float above a straight line,
drifting along a road that leads to nowhere.
[haunting tones]
Inside the small man lives another man.
[haunting tones]
Something is funny,
but not to the woman with the brown hair.
[indistinct chatter]
Okay, so, anyway, this thing was-this thing floats, right?
- Yeah. - Okay, so...
Uh...
Yeah, 0h, yeah, there's a nice clean area here.
What, um, we want to do is,
the-the, um...machine, right?
[woman] The big one or-the tall one?
[Lynch] No, no, not the tall one, the small one.
[Woman] Okay.
[Lynch] Want to make a, uh...a thing on it
that kind of has a spout.
[woman] Okay. Okay.
[Lynch] And then it'll be, like, high up-
- These would be the dials. - Sure.
And then Pete would make a big shadow back here
that'll be dark, so the smoke would be- be lit-.
Jeffrey would appear in the smoke
[woman] So I can bring you a chunk of foam
and then if you want to sit here and carve the foam.
Yeah, I'll carve it.
- Okay. - Yeah.
[foam scraping]
[indistinct chatter]
- [Ruth] That's it? - [man speaks indistinctly]
Well, ifs kind of- I made a dildo.
[laughter]
No, st-don't-it's part of the thing.
- Okay. - It goes on a thing, so don't wreck it.
[laughter]
It goes on the snout.
[Ruth] I think it's impossible to wreck.
Okay, but, anyway, so I need to have the snout when it's finished.
[Ruth] That goes on the end of the snout?
No, not the end. A certain position.
- [laughter] - A certain position.
- [Ruth] What kind of position? - Huh?
It goes on there, and it's gonna have electric wire coming off of it.
[Ruth] I was gonna say-
The radio station, I would love to walk it with you.
- Mm-hmm. - Because any changes, we-
- They're in a place that we can make - Sure-.
- Ifs too big, this is too big. - Sure. Sure.
[indistinct chatter]
Well, it's about 4,000 times bigger than...
- Okay. Well, this is- - ...than my radio station would've been.
If you had the filing cabinet starting in here...
[woman] We can do that and make this, like, a hallway.
So it's like, this could be a hallway to wherever.
The filing cabinets could be here, and then her desk could be up here.
Yeah, that's the way.
- Sure. - Yeah.
- And then he goes in here. - Yep. Yep.
Okay, this, um...
Does that wall need to come forward where Cara is'?
She's sitting right now where the desk would come out.
[Lynch] I understand.
That wall is a little too far over this way.
It'd be good if it was three feet more...
- Then-then he just goes in. - Yeah, yeah, yeah.
And he's got the-he's got the man.
[Cara] Crack.
[Lynch] No, he just holds him for a while.
- [Cara] Oh, okay. - [Lynch] Gets the microphone.
[Qgra] Okay.
[Lynch] Okay.
Want to spend some time in here because it's gonna be so beautiful.
What I was gonna build was something that, you know,
you set up the set for one shot.
And then you move stuff around, and you go for another shot.
But you have built an authentic radio station.
We could open shop up tomorrow.
Not tomorrow, maybe next week.
- [man] Start broadcasting. - [Lynch] We'd be on the air.
All we need is an antenna.
- [man] Wait, on the air. Hmm. - [laughter]
- [man] Next problem to solve. - [woman] Thank you.
[Lynch] That's quite a hell of a thing, I'll tell ya.
♪ Eerie music A'
III